Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Diego Velazquez
Portrait d'une Jeune paysanne (df02)

ID: 22720

Diego Velazquez Portrait d'une Jeune paysanne (df02)
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Diego Velazquez Portrait d'une Jeune paysanne (df02)


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | The Fable of Arachne a.k.a. The Tapestry Weavers or The Spinners | Portrait du bouffon don Cristobal de Castaneda y Pernia (Barbarroja) (df02) | Portrait of Pope Innocent X, | Portrait of Philip IV of Spain in Brown and Silver (mk08) | Portrait de la reine Elisabeth (df02) |
Related Artists:
Arthur Ahnert
painted Interior of Wilhelmshausen church in 1898/1899.
Peale, James
American, 1749-1831 Painter, brother of Charles Willson Peale. Charles encouraged him to become a painter; James also worked as a frame-maker for his brother until the Revolution, in which he served as a lieutenant. From 1779 James shared Charles's practice, specializing in miniatures. His early work, occasionally confused with Charles's, shows his brother's influence. After 1794, his style became clearly his own: more delicate with subtle colour harmonies, softened outlines and free handling; it may be distinguished by a faint violet tone in the shadows and the inconspicuous signature 'IP'. His miniatures of male subjects are frequently superior to his portraits of women, for example Benjamin Harwood (1799; Baltimore, Mus. & Lib. MD Hist.), but his meticulous attention to costume and his success in imparting colour and sparkle to skin and eyes,
Fujishima takeji
1866 - 1929






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